It's New Year's Eve. MC Lyte and Missy are talking about rocking the party. You get the picture. Get into the video below:
Friday, December 31, 2010
Tuesday, December 28, 2010
On their debut EP Heavy Hearts And Counterparts, Nyack, New York-based quintet Verse The End bring together the often disparate worlds of pop, rock and metal. Combining pop melodies, crushing riffs and metallic power chords, the band creates a sound reminiscent of Killswitch Engage and Jimmy Eat World, or the Foo Fighters at their heaviest.
Double time bass drums abound on "Garden State Romance," while gentle piano keys glide alongside gargantuan guitars and retching screams on "Misery Missouri." Soaring harmonies and winding riffs mark "Scratching The Surface," which also incorporates a bit of synthesizer.
"Ripe With Envy," the EP's last track, switches up the formula slightly, shifting tempos from waltz-style swing to driving aggression. Lyrically the band consistently turns to themes of betrayal, heartbreak and other heavy-hearted material. "Seeing you with him/Has me exposed/Feeling diposed," vocalist Michael Berean sings on "Ripe With Envy" while "Garden State Romance" offers a similarly dim view of romance. "Just when I thought/You were something/Something I could hold onto/I'm finding mistakes/And fault lines."
While the tracks can occasionally sound a little samey, Heavy Hearts and Counterparts is a hard, hooky gem that showcases a talented band with plenty of potential to become the next big thing.
Monday, December 27, 2010
Legendary singer Teena Marie passed away Sunday at her California home. The singer's body was found by her daughter. She had apparently died in her sleep. According to CNN.com:
While no cause of death has been released, the singer's publicist Lynn Jeter said that Marie suffered a grand mal seizure -- a neurological event, marked by loss of consciousness and violent muscle contractions, according to the Mayo Clinic -- a month ago.
Born Mary Christine Brockert in Santa Monica, California, Marie established herself as one of R&B's most soulful vocalists. First signed to Motown Records in the late 70's, the singer amassed a string of enduring hits, including "Behind The Groove," "Square Biz," "Lovergirl" and "Fire and Desire" her 1981 duet with Rick James. She also racked up four Grammy nominations.
The singer's music also influenced younger hip hop and R&B acts like Nas, The Fugees and Snoop Dogg, who routinely sampled her work. For those who aren't up on Lady T's catalogue of classics here's a quick review below:
Friday, December 24, 2010
Boyz II Men linked up with almost all of the 90's East Coast rap elite on this track. Add Nas, LL and Biggie and you would've had "Flava In Ya Ear" part 2. But then again that would've been about a 8-minute remix. Which wouldn't be so bad, considering songs like Yeezy's "So Appalled" and "Monster," managed to go the distance. But I digress. Watch the clip below:
Wednesday, December 22, 2010
Cut Copy have released the track list for their upcoming disc Zonoscope. The album, set to come out on
February 8, will feature in-house production by band member Dan Whitford. The iTunes pre-order for the album began on December 21st, and those who order in advance will get an unreleased version of the album's first single "Take Me Over."
In addition Cut Copy have decided to treat fans by releasing an electro-pop styled remix of "Take Me Over." Produced by Tim Goldsworthy--who worked on the band's previous album, 2008's In Ghost Colours--the track is described by the band the type of remix that is "designed for a futuristic main room that fits over the top of the old main room." View the track listing for Zonoscope and listen to the remix below:
1. Need You Now
2. Take Me Over
3. Where I’m Going
4. Pharaohs & Pyramids
5. Blink and You’ll Miss a Revolution
6. Strange Nostalgia for the Future
7. This is All We’ve Got
9. Hanging Onto Every Heartbeat
10. Corner of the Sky
11. Sun God
Take Me Over Thee Loving Hand Remix by Tim Goldsworthy by IndiesUnder
Songwriter Soundz, a.k.a Kenneth C. Coby, who has written hits for artists like Ciara and Trey Songz, claims Beyonce took publishing points for Usher's 2008 hit "Love In This Club Part II" when the superstar didn't write one word. According to RnBMusicBlog.com:
Mr Kenneth C. Coby went on to explain why starving writers accept to give up their rights to Beyonce for a good amount of money.
“Well, she promotes the record to the highest level. She’s the best in the game at promoting a record and when she does one of your records you’ll get a single, radio, commercials and movies. There are so many different types of money that comes with Beyonce when you do a record for her so it’s kind of like the price of admission – the price to get all the other aspects is that you have to pay a little bit.She’ll want a little publishing and that’s guaranteed; she’s going to ask for it and you’re going to give it to her; no ifs, ands or buts. She’s going to make that record the biggest hit in the world so give her that publishing. She’ll take about 20%.”So did B pay for a smash single or simply pull a jack move? You be the judge.
Nick Koenig, a.k.a Hot Sugar, may give Pretty Lights, electro pop's current reigning super producer, a run for the title of club king supremacy. The up and coming beat maker is already show an eclectic range of sonic tricks, from the grimy crunch of "Don't Cut Down My Tree"and the hip hop-soul inspired "Colorful" to the blunt funk of "F*ckable." Listen (and download) a few tracks below from his upcoming free digital EP Muscle Milk below:
Monday, December 20, 2010
Neon Hitch has definitely lived an interesting life. Born in the London countryside, the singer grew up as part of a clan of traveling street performers before running off to live in India at sixteen. A stateside move to New York led to gigs writing and singing backup for acts like Ke$ha, Friday Night Boys and Weezer's Rivers Cuomo.
But with her debut Beg, Borrow and Steal, set for release next spring, Neon Hitch seems intent on getting her own share of the spotlight. Listening to quirky dance tracks like "What Starry Eyes Know," a fantastic cover of Snoop Dogg's "Drop It Like It's Hot," and the darkly catchy "Black and Blues," with its somber subject matter, provide evidence that she may not have to wait for long.
Experimental hard rockers Praxis have assembled an eclectic mix of collaborators for their upcoming release, entitled Profanation: Preparation for a Coming Darkness. Rock icon Iggy Pop, System Of A Down's Serj Tankian and Wu-Tang protege Killah Priest are a few of the guest stars that will appear on the new album, set for a January 25th release.
Collaborating is nothing new for the trio. Formed in the early nineties, the trio have worked with Bootsy Collins, Bernie Worrell, John Zorn and other creative powerhouses to shape their unique brand of music, a mix of aggressive rock, hip hop, funk and psychedelic.
Listen to the Profanation track "Furies" featuring Iggy Pop below:
Furies (feat. Iggy Pop) by MethodofDefiance
Jerusalem-based Sasha Raskin has cleverly named his musical style "electroacoustic," a fitting term that perfectly describes the singer's seamless blending of classic instruments and electronic noise. "Quantum Love" combines watery ambient sounds with tribal drums and a flute solo, while "Only Music" mixes drum n' bass rhythms and synths with everything from blasts of fat brass and funked-out guitars to plucked violin strings and jazzy saxophone lines. A must-listen for audio junkies.
Friday, December 17, 2010
Thursday, December 16, 2010
Shock rock pioneer Alice Cooper will join Neil Diamond, Tom Waits, Darlene Love and Dr. John as the Rock and Roll Hall of Fame's 2011 inductees. Cooper told Rolling Stone that he was thrilled that the original Alice Cooper band, which disbanded in 1976, would be inducted.
"I was elated and I called the original band guys immediately, and said, 'Well, remember when we started in high school?' [Laughs] 'Here we are. Only took 45 years.'"
Cooper, whose ghoulish image and dark theatrics have influenced other rock acts like KISS, Nine Inch Nails, Rob Zombie and Marilyn Manson, said he was unsure if the band would ever get honored by the Hall of Fame committee, even with rock staples like "No More Mr. Nice Guy" and "School's Out."
"For a while, I think that people didn't take us seriously, musically. For years I was like, 'Well, you know, jeez, we had two Number One albums and 14 Top 40 hits and, like, 15 gold albums. I don't know what it takes for them to take us seriously.' "
Cooper also said the original lineup would perform at the ceremony, and talked about plans to work with the group's old producer Bob Erzin to record Welcome To My Nightmare II. Read the entire interview here.
Wednesday, December 15, 2010
It's been a busy year for Unicorn Kid. The Scotland teen spent much of 2010 remixing tracks for the likes of Gorillaz and the Pet Shop Boys, and rocking out at festivals with his unique brand of dub step-influenced chiptune. Indies and The Underground managed to catch up with the Kid to talk unicorns, production techniques, the inspiration behind the "Dream Catcher" video and using Gameboys as instruments.
Monday, December 13, 2010
Juliette Commagere started out as the keytar-wielding front woman for Hello Stranger, a 70's-inspired glam band that opened for rock acts like Foo Fighters and Kings of Leon. As a solo artist however, Commagere seems to have switched gears a little, ditching glam for a pop sound that's laid back, breezy, and occasionally aggressive.
Tracks like "Everything I Love" and "Queens Die Proudly" are full of twinkling electro sounds, sweet melodies and synths, while "Overcome" with its angelic chorus of high harmonies, guitars and bombastic drums shows she's not afraid to reach for the big ballad brass ring. Take a listen below:
The singer's clip for the easy-going tropical pop single "Impact," combines eye-popping colors, a bit of high fashion gloss, psychedelic visuals and some Madonna-esque moves (Juliette may have taken a few looks at "Vogue" and "Nothing Really Matters before shooting:), to create a simple, yet elegant video: Watch and download a remix for "Impact" below:
Impact Keepaway Remix
Impact Keepaway Remix
The songstress placates fans with this new song of lost love. The track begins with gentle piano chords before bursting into a full-blown ballad, while Fiona's turns from low and husky to wailing as she mourns her man.
"Gone And Never Coming Back" got its debut at a show in London earlier this week, and will mostly like be included on the singer's sophomore album The MF Life, according to RapUp.com. Listen to it below:
Friday, December 10, 2010
A classic remix to a classic song, Dre decided to slow things down on this track, transforming it from rambunctious party-starter to a laid-back West Coast groove.
Wednesday, December 8, 2010
I know what you're thinking. Damn that was fast! After releasing A Brilliant Catastrophe's Beta version less than a month a go, B Slade is coming out with another mixtape, this time in tribute to the Jacksons, specifically Michael and Janet. Dance Floor Arsonist: The Jack5on Magic Mixtape contains vocal homages to MJ that are almost scary in their similarity to the late King Of Pop, as well as covers of Janet classics like "Got Til It's Gone" and "Rhythm Nation." Listen to a few tracks below:
This short snippet of Yeezy's video for "Monster" shows Kanye and guest stars Jay-Z, Nicki Minaj and Rick Ross in separate scenes of macabre surrealism. The clip seems to draw on iconic videos like MJ's "Thriller," as well as raiding Marilyn Manson's and Lady Gaga's ("Paparazzi" specifically--peep the girls hanging from the ceiling) closets. The full video should be very interesting. Watch below:
Tuesday, December 7, 2010
Derek Vincent Smith, a.k.a Pretty Lights, is ending 2010 with a bang. After recently releasing a new EP, Glowing In The Darkest Night--his third in less than a year--and a new video for "Future Blind," the super producer will cap the year by playing two New Year's Eve shows at Chicago's Congress Theater on December 30th and 31st. Supporting acts include Tobacco, Holy Fuck and Major Lazer.
Pretty Lights' three EPs of beats that mix funk, jazz, soul and hip hop have garnered 1 million downloads from the producer's website, while his elaborate live shows have lead to sold-out shows at Bonnaroo, Rothbury, the 10K Lakes Festival and other venues in Europe and the U.S. You can download all three Pretty Lights EPs here. Watch the clip for "Future Blind" below:
Midnight Juggernauts seem hell bent on stretching the boundaries of electro-pop to their breaking point. The Australian trio packs their songs with seemingly every sound imaginable. Stacked synths that constantly shift between watery ambiance to frivolous pop to evocative darkness. Drums that draw equally from tribal and drum and bass influences slam alongside blasts of distorted guitar. Layered vocals that transform from smooth melodic harmonies to ominous, operatic bell tones add another element to a sound scape that's simultaneously danceable, psychedelic and not of this world. Listen to a few tracks from The Crystal Axis, the band's current release, below:
Boston-based multi-instrumentalist Emeen Zarookian (a.k.a Spirit Kid), crafts a pure, melodic sound that manages to be sugary instead of saccharine. Check out the 60's pop style of "You Lift Me Up" and "My Imagination," filled with jangly guitars, "la la" hooks and harmonies reminiscent of The Beatles and The Beach Boys. Spirit Kid isn't a one trick though, as The Kinks-inspired "The World Doesn't Stop," and "Flytrap," with its funky riffs, organ, and falsetto "ooh, oohs" prove. Take a listen below:
Saturday, December 4, 2010
According to Yung Berg, Kanye went jacking for beats.
This definitely falls in the SMH category. In an interview with Mike T The Movie Star, rapper Yung Berg, of chain jacking and "Sexy Lady" fame, claims the Louis Vitton Don stole the beat for his 2004 hit "Jesus Walks" from Berg's demo tape.
"He stole the beat. The "Jesus Walks beat is exactly the way you hear it, or it's amplified to other sounds...for most part it's the same.
Read the rest here.
Friday, December 3, 2010
"I thought I told you we won't stop!" The 96' remix of 112's "Only You," with a hot verses from Biggie and Mase, making his on-record debut, stands out as one of the best cuts of Bad Boy's late 90's domination. Listen below:
Thursday, December 2, 2010
Check out this preview of the soundtrack to Disney's upcoming flick Tron Legacy, provided courtesy of Daft Punk. And true to form, the French house duo manage to create a sound that is slick and organic, danceable and surprisingly dramatic, with moody string arrangements that temporarily slow down the groove. But the sound is still avant garde enough to keep them at the cutting edge of dance music. Take a listen below:
When it comes to Australia's musical exports, pop divas like Kylie Minogue and Olivia Newton-John come to mind. However a new voice has risen, and its owner, Abbe May, couldn't be further from the world of dance pop. Tracks like "We Had A Real Good Time Togetherrr," and "Hawaiian Disease," full of primal, sexual energy, prove she can go toe to toe with the boys. Meanwhile oddball cuts like the goth-blues of "Jesus Gonna Be Here," and new single "Mammalian Locomotion," with its strange-but-instantly-catchy vocal melody and slow, plodding guitars, reveal Abbe May to a unique presence in the rock world. Listen to a few tracks below:
Wednesday, December 1, 2010
The veteran rocker is currently in the studio working on a new album. Watch a few short clips taken in the recording studio, as well as a full video for the new track "Come And Get It," below:
Lady Gaga's little monsters will have to wait a few more months for new music. The first single from the pop superstar's new album is set to drop in February 2011, according to fansite Lady-Gaga.net. The singer described Born This Way "bad kids going to church, having fun on a high level," to site manager Alexander Melchert, and thanked fans for their support in a video post on the site. Watch the short clip below:
According to Abbe May, the video clip for the Australian rocker's new single is designed to be "a reflection of the contradictory elements of fierceness and subtle femininity found in the song." These different elements take the form of three roller-blading women, while Abbe takes to the streets on a bike. It's pretty obvious who represents the fierceness and who symbolizes subtlety, but I'll let you be the judge.
Electro-pop duo MoneyPenny, a collision to two Chicago nightlife personalities--Chess Hubbard, a.k.a DJ Mother Hubbard and Jessica Gonyea, a.k.a DJ A-Cup--create a sexy, flirty and fun sound that channels rock n' roll aggression and punk's bratty attitude but stays firmly planted in electronica beats.
Since forming in 2008, MoneyPenny have opened for acts like Robyn, The Bravery, The Heavy, Villains and Chromeo. The duo have also released a few tracks that showcase their diversity, like the light-hearted pop of "Destroy" and the dirtier, grimy grooves of the Stephen King-inspired "Christine" and "Say No." A short tour that includes stops in L.A. and Austin starts December 3rd. Take a listen to few tracks and download remixes of "Destroy" below:
Sunday, November 28, 2010
"One year I can save a nation/Now I'm reduced to my orientation/Tell me why did you change your mind," B Slade sings in album opener "Brian's Lament," a somber starting point for the follow-up to A Brilliant Catastophe's alpha version. The album's emotional lyrics spin a loose narrative of isolation, loneliness, determination and spiritual redemption.
Saturday, November 27, 2010
B Slade has decided to give his fans an early Christmas with the release of A Brilliant Catastrophe (Beta), a follow-up to A Brilliant Catastrophe (Alpha), released eariler in the year. Download the entire album here.
Friday, November 26, 2010
Wednesday, November 24, 2010
And The Wiremen, led by guitarist Lynn Wright, may hail from Brooklyn, but their sound is steeped in the Southern gothic aura of New Orleans. "Sleep," with its haunting guitar chords and melancholy jazz trumpet, conjures up the image of a solitary soul walking down Canal Street late a night. "Sharpen Your Knives" combines another mournful trumpet solo sparse, tribal-like drums, lumbering, distorted guitar to create a sound made to be played in smoky bars. Other tracks like "Lines" switches things up from cool jazz to offbeat folk pop. Take a listen below:
Monday, November 22, 2010
The Aussie pop trio returns with "Take Me Over," the first single from their upcoming album Zonoscope. The melodic, mid-tempo track is insanely catchy, inserting its hooks of shiny synths, sharp guitar licks and slow-rolling bass groove deeper into your skull upon each listen. Zonoscope comes out February 8th. The band will also be on the road for a series of European beginning in February. View the complete list of dates and take a listen to "Take Me Over" below:
Cut Copy - "Take Me Over" (Radio Edit) Premiere by modularpeople
Fri 4 Feb – Brisbane – St Jerome’s Laneway Festival
Sat 5 Feb – Melbourne - St Jerome’s Laneway Festival
Sun 6 Feb - Sydney - St Jerome’s Laneway Festival
Fri 11 Feb – Adelaide - St Jerome’s Laneway Festival
Sat 12 Feb – Perth - St Jerome’s Laneway Festival
Thurs 3 March - Glasgow - Death Disco Special
Sat March 5h – Manchester – Now Wave @ Gorilla (New venue form the people behind Deaf Institute)
Sun 6 March – London - The Forum
Tues 8 March - Oslo - Rockerfeller
Wed 9 March - Malmo - KB
Thurs 10 March – Copenhagen - Loppen
Fri 11 March – Stockholm - The Strand
Sat 12 March – Helsinki - House of Culture
Mon 14 March – Tallin - Rock Café
Wed 16 March - Berlin - Lido
Thurs 17 March - Koln - Gebaeude 9
Fri 18 March – Amsterdam - Melkweg
Sat 19 March - Paris - Casino Nouveau
Wed 23 March - Lisbon - Coliseum
Friday, November 19, 2010
"Push It," "Shoop" and "Let's Talk About Sex" are usually the songs that come to mind when Salt N' Pepa is mentioned. But the remix to this forgetten gem from 1990's Black's Magic deserves to be in the top 10 of rap duo's best songs. Listen below:
Wednesday, November 17, 2010
Remember the Lite Brite goodness that was the David Crowder Band's video for their single "Shine?" Well now you can see how the band (and more than 80 friends) put the unique clip together. Watch the four-part making of documentary below:
The atmospheric production--jangly, low-fi guitars, icy background vocals, and sparse, pared-down drums--sets the perfect soundtrack a tale of temporary love. A perfect song for solo moonlit rides or quiet, contemplative moments. Download the track below:
Scattered Trees-Love and Leave
Tuesday, November 16, 2010
"Only the strong survive," vocalist/MC/multi-instrumentalist Aaron Wall sings on the album opener of the same name. While he's talking about life in general, he could also be referencing his status as a white guy maneuvering in the worlds of rap, R&B and Spanish-flavored music.
"Can U Dig" and the bilingual, Latin-style "Tu Bien Sabes" continue the will-to-survive theme with lyrics detailing breakups and baby mama drama. Wall flexes his storytelling muscles on the somber "Echoes," detailing the trials of inner city life with lines like"5 to 1 says you don't make it out the gate/4 to 1 says you don't make past the 12th grade/3 to 1 says you don't make to see 23/2 to 1 says you end up in the penitentiary." The bouncy "Mas y Mas," mines similar territory, criticizes those who "All the freedom but/Don't want the fight."
Musically Wall and his band also hold their own. The album is a melting pot of genres, featuring straight-forward hip hop ("Feel My Music"), mid-tempo R&B/soul jams ("The Messenger, "Wannabe") and Latin tracks "Mas Y Mas" and "Tu Bein Sabes," complete will exotic horn riffs, conga drums and Wall's Spanish flow, which rings with authenticity and respect for Latin music.
"Echoes," with its full, rich backing vocals courtesy of the Grace Gospel Choir, takes on an anthem-like tone. Overall Push is a diverse, fun effort that should leave little doubt about 40 Watt Hype's survival.
Formed in the early 90's as a response to increasing Neo-Nazi influence in their fellow countryman's music before disbanding in the early 00's, German digital hardcore duo Atari Teenage Riot are back with a new single, the hyper-aggressive, aptly titled "Activate." Channeling all of punk rock's ferocious attitude onto the dance floor, ATR, with help from new member MC CX Kidtronik craft a sound that is nothing short of an electro-pop molotov cocktail. Listen to "Activate" and few other tracks below:
Atari Teenage Riot - Activate by fironov
Atari Teenage Riot - Digital Hardcore - 2009 Remix by Builder
Atari Teenage Riot - Digital Hardcore - 2009 Remix by Builder
Atari Teenage Riot - Rage (Mustard Pimp Remix) by mustard pimp
Friday, November 12, 2010
A late 90's classic...and the kind of verse Kim will need if she wants shut down Nicki Minaj (I'm just sayin'...the Queen Bee has been off her A-game as of late). Watch the clip below:
Greenhorse have been sparking a buzz among fans and critics since the release of last year's Transcontinental EP. The duo, made up of high school friends Chris Hackman and Shawn Day, is currently writing songs for their follow-up to talk to about musical influences, dream collaborations and explaining what "post-pop" means.
How did you come up with the name Greenhorse?
In a way, it was inspired by the film Broken Flowers. We wanted to create an image that symbolizes rebirth and hard work. And we wanted something simple and clean.
What were your early musical influences?
Shawn: As early as 16 I loved the Smashing Pumpkins. When I moved out to London, the first band that inspired me was Arcade Fire. Hmm… We recently got referenced to the band "Suicide", and I thought that was pretty interesting.
Chris: I'd rather not tell you what I was listening to early on… Some of my influences from medium-on include Radiohead, Primus and The Crystal Method.
What was the first album you bought?
Shawn: Guns N Roses, Appetite for Destruction
Chris: Live, Throwing Copper - we recently recorded with the engineer from that album and it was an amazing experience to come full circle like that.
What artists/producer are you currently listening to, and which ones would you like to work with?
We really love the work that Bloodshy and Avant are doing right now; We love the last Mike Snow album. Ideally, we'd want Trent Reznor to produce our first full length album.
How does the songwriting and music production process work?
One of us will start an idea and bounce it over to the other. We'll kick it back and forth until it's listenable. Now that we've been writing for awhile, a lot of our songs are inspired by shared experiences. For example, we recently recorded several new songs inside a cave in Wyoming.
What kind of musical sound can fans expect from your upcoming EP?
Post-pop. It's a sound we've been carving out for the last year. It's got the emotional weight and musical depth of classic pop, but with greater immediacy. You're not going to know whether to dance or just stand back and listen.
Thursday, November 11, 2010
Dance music with no synthesizers? Blasphemy! Paris-based duo Jamaica commit this unspeakable act and manage to create some good music out of it. Relying instead on grungy, trunk-rattling bass grooves, snappy, sparse drums and irresistibly hooky new wave guitar riffs, the pair create a sound that is simultaneously organic and deliriously danceable at the same time. Listen to a few tracks below:
Hurricane Bells, the brainchild of Steve Schiltz, produces a variety of musical sounds. "I Can't Remember," with its distorted, watery "la la's", and the somber, down beat tom tom drums and lean, muscular guitars of "The Winter's In New York," embrace an evocative, other-worldly pop sound.
Gentle, winding guitar bends mark the mid-tempo "Freezing Rain," the soft, driving drums conjure up images of a train swiftly moving along, providing an escape from the past to the future. The melodic rocker "Monster" shows Schiltz can turn up the volume when needed, while the cover of The Shirelles classic "Will You Still Love Me Tomorrow," a duet with Scout's Ashen Keilyn, reveals a romantic side. Listen to a few tracks below:
Voltaire Twins combine an upbeat electro-pop sound, full of hand claps, digital blips and a whirlwind of synthesizers with sometimes cryptic lyrics. "You'll never be friends with them/You'll never be close with them/Like I am," the duo sings over the booming drums and dark, grimy samples of "London."
"D.I.L," with its stuttering beats, shimmering synths and deep bass, reveals a poppier sound, but a grim outlook for newcomers looking to survive in the big city. "The future's bleak for you my dear/So much can change in just a year." "Cabin Fever" trades in the angst for anger, telling an ex-friend/lover off nursery rhyme style. Voltaire Twins offer danceable depression, which in this current economy is lot cheaper than Valium. Take a listen below:
Wednesday, November 10, 2010
Washington D.C. Daddy Lion put a unique spin on the indie rock format. Whether it's the crunchy guitar attack of "Just Die Young, the gentle acoustic twang of "Morning" or the Joy Division-inspired blend of acoustics and synthesized melancholia ("Tomorrow," "Falling To Pieces"), the band creates a moody, evocative sonic landscape. Not bad for a band that met through Craigslist. Download two tracks from Daddy Lion's self-titled EP below:
Tuesday, November 9, 2010
Atlanta-based R&B artist Avery Sunshine is no newcomer. The singer-songwriter and former member of duo DaisyRew has lent her vocals to movie soundtracks like Fighting Temptation, did a stint as choral director for the National Black Arts Festival production of Dreamgirls and performed at President Obama's inauguration.
Needless to say, she's been in this game for a minute. And such experience shows on the dazzling assortment of musical styles she explores. Whether it be the sultry jazz of "Ugly," the deep house groove of "Stalk You," the sweet doo-wop/R&B of "Pinin," or the rich harmonies and gut-bucket gospel belting of "Blessin' Me," Avery Sunshine displays a deep knowledge of both music and mastery of her voice. Take a listen to a few tracks from her self-titled debut below:
An offbeat, quirky pop song deserves an equally offbeat and quirky video. And Darwin Deez delivers in the clip for "Constellations," a video filled with images of apples snapping themselves back together, tea that leap frogs from cup to cup and water particles and small trees suspended in midair. Deez even throws in a one-night stand for good measure. Watch the clip below:
Post-pop duo Greenhorse began as a transcontinental collaboration between high school friends Chris Hackman and Shawn Day. The result was 2009's appropriately titled Transcontinental EP. Greenhorse craft a sophisticated, cosmopolitan brand of energetic electro-pop. However, the music still retains its emotional punch while still being devilishly danceable at the same time. The duo are currently working on a follow up. In the meantime, listen to a few tracks below:
Monday, November 8, 2010
Saturday, November 6, 2010
Missy amped the freakiness by adding then newbie Nelly Furtado to the remix of 01's "Get Ur Freak On." Speaking of the Supa Dupa Fly, where has Missy been? She needs to get some new music out ASAP and show the wannabes how it's done. Timbaland, are you listening? Lay off the techno pop for second (even though that has been paying the bills for a minute) and come back to R&B/hip hop, the music that made you. But I digress. Listen to the track below:
Thursday, November 4, 2010
French-electro artist Kavinsky's new remix of his single "Nightcall" is definitely worth a listen. The grimy synth-bass and digitized chip-tune crunch are a definite plus, while the singer's cold, robotic delivery, paired alongside the warm, sultry vocals of CSS' Lovefoxxx gives the track a unique contrast. Besides anything produced by a member of Daft Punk is worth a least one spin. You can also download three other "Nightcall" remixes below:
Nightcall (Dustin NGuyen Remix) by Kavinsky
Nightcall(SAWAGii's Revenge Remix)